encounters his ex, Mary (Kelly McGillis, who had such an awful Hardly an undiscovered classic, but if it was on TV on a Sunday afternoon, you’d be unlikely to turn it off. From "Dexter" to The Suicide Squad, here are our picks for the reboots and remakes we're most excited for in 2021 and beyond. The plot is stripped-down and almost high-concept: when a feared and murderous outlaw, Ben Wade (Glenn Ford, who would finish up his career with another Leonard adaptation, the made-for-TV “Border Shootout“) is captured, rancher Dan Evans (Van Helfin, who also returned to Leonard late in his career, in the 1969 “Big Bounce“) volunteers to put him on the eponymous train to face justice. the film that suits the film’s sensibilities nicely. Eastwood plays the title character, a jail-bound bounty hunter press-ganged into a posse led by corrupt landowner Frank Harlan (Robert Duvall), to capture Mexican revolutionary John Chama (John Saxon). “Touch” (1997)A definite outlier among both Leonard’s literary output and his screen works (it was written in the 1970s, but not published for a decade, in part because of its religious subject matter, in other part because it doesn’t quite fit his usual genre niche), “Touch” is a curious little film, but one with much to recommend it, and it’s certainly been overlooked over the last decade-and-a-half. You are allowed no more than two or three per 100,000 words of prose. the teenage sniper who saved his life back in the day, he instead It’s no surprise, given the nature of his writing, that Leonard has long appealed to Hollywood and his work has been gracing the screen in various forms for over 50 years. [C-], 13. It’s also fatally miscast at almost every point: Wilson’s quippy-shtick overwhelms the rest of the picture, Foster (a former model and TV presenter in her acting debut as the femme fatale) couldn’t act if her life depended on it, and the rest of the cast seem to have been assembled entirely at random: Charlie Sheen! Today sees the release of a sparkling new Criterion version of “3:10 To Yuma,” the perpetually-underrated 1957 Western that’s somewhat overshadowed by the more recent 2007 remake. But studio interference can’t take the whole blame as there’s plenty of poorly thought-out decisions in here to lay at the director/star’s door, from an ill-advised hair-metal wig for Durning’s villain, to Segal’s shrill comic relief performance, to the creepily incestuous vibe between Reynolds and his teen daughter. A retrospective on the prolific career of America's greatest crime novelist, Elmore Leonard, and the dozens of movies and shows made from his stories. This FAQ is empty. If you’ve never seen it, it’s a cracker. In theory, it should be crackling stuff and what Ferrera He enlists an old friend, Lynn (Bridget Fonda, in the first of two Leonard adaptations of 1997) to get to Juvenal, but she falls for him, and things are further complicated by Catholic fanatic August Murray (Tom Arnold). —Detroit Free Press. Each season feels like it’s going to be hard to top (Margo Martindale‘s season two villain felt at the time like an impossible peak to surpass), but it’s continued to be one of the best dramas on TV with no little thanks to the great performances by Timothy Olyphant and Walton Goggins. In fact, given that producer/star Danny DeVito‘s Jersey Films had also backed “Pulp Fiction” the year before, one can only assume that they knew what they had when they put its star, John Travolta, into production on “Get Shorty.” But what stands out about the film nearly two decades on is the way that it doesn’t fall into the traps of simply aping Tarantino and company; this is Leonard’s voice on screen pure and simple, thanks to a terrific screenplay by Scott Frank. Elmore Leonard, one of the most successful American crime writers of modern times who created numerous works of fiction including 1995’s genre classic Get Shorty – the book and movie … From his earliest work -- the westerns -- through his Detroit/South Florida-based novels of women and men involved in crime -- right up to his later work, exploring an America whose founding sins have continued to haunt it down all the days. The 1969 film was hardly some unimpeachable classic (see below), the thought of moving the story to Hawaii to add some color wasn’t a bad one and director George Armitage had shown plenty of capacity for this kind of thing in the past, as the man behind “Miami Blues” and “Grosse Pointe Blank.” But given the result, it’s understandable that Armitage has been stuck in director’s jail ever since. As we’ve seen already, the recent Owen Wilson-starring version was a misfire, but unfortunately, the 1969 original was nearly as problematic. The same fate sadly met “Karen Sisco,” a 2003 series that saw Carla Gugino pick up the mantle dropped by Jennifer Lopez as the Marshal from “Out Of Sight,” with Robert Forster perfectly placed to replace Dennis Farina as her father. Christopher Walken stars as Bill Hill, an down-on-his-luck evangelist who decides that Juvenal (Skeet “Johnny Depp Wasn’t Available” Ulrich), a young man purported to have a healing touch, is the person who could put him back on the map. I have no idea. Also Out There: We’ve run down all of the major movies that got a theatrical release somewhere in the world, or at least played a festival, but there are a lot more out there, many which ended up on TV. Some of the changes are for the better — Ben Foster is terrific as Wade’s terrifying terrier of a right-hand-man Charlie Prince — and so little is broken about the conceit that it’s engaging throughout, particularly with Crowe giving one of his better turns and the typically solid Mangold at the helm. But Wade’s men are determined to get him back. “As gritty and hard-driving a thriller as you’ll find….The action never stops, the language sings and stings.” —Washington Post The City Primeval in Elmore Leonard’s relentlessly gripping classic noir is Detroit, the author’s much-maligned hometown and the setting for many of the Grand Master’s acclaimed crime novels. Leonard has the unique talent of creating ultra-cool stories that just put a smile on your … Elmore Leonard: A Detroit Classic (2010) Plot. I wasn't familiar with Elmore Leonard even if I was familiar with his work. It’s doubly impressive because the novel features one of the writer’s most tangled plots: Miami loan shark Chili Palmer (Travolta) is sent by his new boss (Dennis Farina) to track down the debt of a guy who’s faked his death in a plane crash, but Palmer ends up coming across B-movie producer Harry Zimm (Gene Hackman) and pitching a film based on his own life. 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