It was a movement largely led by film critics; usually those in the employ of the famous French journal “Cahiers du cinéma”. stunning cinematography and feels quite radical for the time in many respects but it lost focus and dragged after a certain point. Euro Film Fest. The village is at its most still, most silent. Don't use this space to complain about the average rating, chart position, genre voting, others' reviews or ratings, or errors on the page. The husband Lui, played by Philippe Noiret, grew up in the village; he wishes to show its beauty to his wife Elle, played by Silvia Monfort. See more of Bar le passage pointe courte on Facebook. What the disc for La Pointe Courte lacks in the variety of material that supplements the three other titles, it makes up for with two substantial interviews of the director—one shot recently in her office in France, the other cobbled together from excerpts of a 1964 episode of the TV show Cinéastes de notre temps. La Pointe-Courte 1955 ★★★½ . Each frame could be hung in a photo gallery; they would be worthy of their placement. J L’s review published on Letterboxd: Where even to start? Room for Cinema in Agnès Varda’s La Pointe Courte. However, I realize now that this clash of tones was entirely intentional on Varda’s part. La Pointe Courte This is something special: La Pointe Courte , Agnès Varda’s first film. Watch on Cineuropa. And I didn’t find the relationship between the couple that interesting (although it was interesting to see a very young Noiret). Natural settings, lightweight camera, shoestring budget: with La Pointe Courte (presented in Cannes, in a screening on the rue d’Antibes, in 1955), the photographer from Jean Vilar’s Théâtre National Populaire is paving the way for a young cinema, of which she will remain the only female director. See the film page. Keep your comments focused on the film. La Pointe Courte is set in a small Mediterranean fishing port and we watch the fishing community harvesting shellfish from a banned lagoon; a young man is caught by the authorities; he is also trying to woo a young woman despite the disapproval of her parents – all this is reminiscent of an Italian neo-Realist film with a great emphasis on the community, but in a way it is the background to the central narrative. Be warned: their taste, as well as area of focus, have been drifting steadily away from anything resembling the mainstream for some time now. With Philippe Noiret, Silvia Monfort, Marcel Jouet, Albert Lubrano. Influential French filmmaker Agnes Varda’s debut film La Pointe Courte (1956) is a great reminder to modern cinephiles what film-viewing experience can be. B Peterson, having survived a year of film school (barely), has continued to find passion in watching, then studying, then listing, then writing extensively about films. Add on top of that what she brings out of her cast, and you’ve got an incredibly distinct and memorable voice behind the […], […] Viewing Varda Part One: ‘La Pointe Courte’ […], Join the MovieBabble staff: https://moviebabble.com/join-moviebabble/, Like MovieBabble on Facebook: https://www.facebook.com/moviebabblereviews/, Follow MovieBabble on Instagram: https://www.instagram.com/moviebabble/, Follow MovieBabble on Twitter: https://twitter.com/MovieBabble_. Watching it today, La Pointe Courte holds up. Like Sète itself, La Pointe Courte hosts a few pieces of street art. Advertise on Cineuropa. by Agnès Varda. Whether or not these critics were right, ironically, doesn’t really factor into our discussion of Varda. Follow MovieBabble and B Peterson on Twitter @MovieBabble_ and @bluegreycloset. The 1960s saw the emergence of one of the most influential and fondly remembered ‘New Waves’ of cinema, that of the French. Varda's central romantic couple is never the sole focus of the narrative. Alright, since I can’t go on forever about this film, here’s a quick list of some highlights from La Pointe Courte: When La Pointe Courte, a film shot on location starring non-actors telling a near-plotless story about ordinary people, was released by a woman with no studio backing and no history in the industry at all in 1954, it was the equivalent of an alien cannonball. La Pointe-Courte. Every time the film cut to the couple, I would roll my eyes and wait for it to cut back to the villagers. All along the street, sheets and clothes hang from clotheslines, whipping around like a murmuration of white starlings; it makes for dynamic imagery, and immediately immerses the viewer squarely into a sense of place. However, in the eyes of some bold young film critics (Jean Luc-Godard, François Truffaut, you may have heard of them), this studio system was bland, and it was time for a new type of cinema to take hold. It’s almost identical to a scene from the brilliant 1936 Mexican film, Many people know the overlapping two-shot from Ingmar Bergman’s 1966 film. Give the film as a gift Add to playlist; See the film page. The different influences, although they blend well in the same story, do not have the same appeal and, in the final analysis, the balance (or my balance) leans more towards the narrative of fiction of anthropological affiliation, than towards the aesthetic compositions of a couple in crisis with which Varda disguises melodrama, aurally reinforced by self-referential declamations of the man and the woman. 3.7 out of 5 stars. We may even notice that, like La Pointe Courte, the female and male protagonists of Hiroshima mon amour are not given names and are referred to only as 'elle' and 'lui'.La Pointe Courte's analogical adaptation of The Wild Palms would also echo in the work of Godard, who would go on to cite The Wild Palms in À bout de souffle (1960) and 2 ou 3 choses que je sais d'elle (1967). Oct 4, 2020 - The first article in a series dedicated to exploring the filmography of Agnès Varda focuses on her revolutionary 1954 debut: La Pointe Courte. Join MovieBabble on Patreon so that new content will always be possible. Which 2021 Oscar Nominees Deserve to Win? Between her first and second features, Varda directed several short films. So next week, we’ll be looking at Ô saisons, ô châteaux, Du côté de la côte (Along the Coast), and L’opéra-mouffe (Diary of a Pregnant Woman). And while La Pointe Courte kept reminding me of other European films, it didn’t particularly remind me of later Varda films. This site uses Akismet to reduce spam. Closed Now . 123 people follow this. Meanwhile, French cinema had been through the wringer thanks to the war, but a strong studio system had been reestablished by the early 1950s, and plenty of good cinema was being made. See you then! Scene Analysis; Special Pages; July 23, 2017 / Selin Sevinc / Main Slate. Varda's eye for the lives on the outskirts of towns like Ozu? «La Pointe-Courte» was Agnès Varda’s first feature film and the first film-manifesto of the "nouvelle vague". Don't comment just to troll/provoke. The village, though its dramas are subtle, feels alive, and when the village feels something, you feel it too. Do they ever shut up? 122 people like this. Centering the women’s hands, the camera glides along the clotheslines as they take off the clips and remove the clothes. In fact, in the synopsis that I have read (and in Varda’s own words), the story of this couple is taken as the principal storyline, when, in fact, the neighborhood and its fishermen are the true "anti-stars". With natural actors -that is, with the inhabitants of the fishing neighborhood of La Pointe-Courte, in the South of France-, Varda tells us a story that serves as a unifying thread, in which local men insist on fishing in a small contaminated maritime "lagoon" and are consequently persecuted by the Department of Health. Forgot account? Já nas primeiras cenas, há o movimento da câmera que introduz a cidade passeando de forma curiosa pelos ambientes externos e internos. «La Pointe-Courte» was Agnès Varda’s first feature film and the first film-manifesto of the "nouvelle vague". Additionally, a couple, now four years into their marriage, have come to visit from Paris. Most film fans already know the major names: Jean-luc Godard, François Truffaut, Claude Chabrol etc. Cineuropa Award. Then, five years later, the critics mentioned earlier started making their own films in much the same style; Truffaut’s The 400 Blows and Godard’s Breathless were heralded as the beginning of a French New Wave. Because believe it or not, Varda never watched films! However, it would be pointless to shame people for not having seen, much less intimately knowing, any given film; to quote William Bibbiani, a critic I owe a lot to, “we are all playing catch-up.” Learning that there is an area of film with which you are not familiar is a happy revelation, a wonderful opportunity to expand your cinematic horizons! More. 1 quai mistral (4,060.58 mi) Sète, France, 34200. Script analysis. In contrast to this, the couple felt practically statuesque; their emotions were non-existent, their monologues trite, their perpetual ennui more annoying than worthy of sympathy. The Pointe Courte ("short point") is a tiny quarter of the town known as the fisherman's village. Alliance Française French Film Festival Mini Reviews (Part... Middleburg Film Festival 2020 Review: ‘Sylvie’s Love’, Varda incorporated as much of the villagers’ colloquialisms as possible, including a hilarious and surprisingly thoughtful phrase uttered by one of the women commenting on their age: “We’ve sh*t half our cr*p.”, There is a quiet, gorgeous scene where several fishermen form a large circle of netting in the water, then catch fish as they get caught in the nets. Follow the story of a couple who goes to a small French fishing village to try to solve the problems of their deteriorating marriage. The sublime depiction of a marriage on the rocks is skilfully presented in an innovative way against the daily life of the small Mediterranean fishing village. Viewing Varda Part Seven: 'Lions Love (...and Lies)' | MovieBabble, Viewing Varda Part Three: 'Cleo from 5 to 7' | MovieBabble, The Blow-Away Immersion that is 'The 40-Year-Old Version' | MovieBabble, Viewing Varda Part One: ‘La Pointe Courte’ – Kisafilms.com, https://moviebabble.com/join-moviebabble/, https://www.facebook.com/moviebabblereviews/, Viewing Varda Part Seven: ‘Lions Love (…and Lies)’, Viewing Varda Part Six: Mid-Sixties Shorts, ‘Proxima’: A Character Piece Brought Down to Earth, Don't Judge a Movie By Its Cover: Knocking Movies We Haven't Seen, Jamie Babbit's 'The Stand In' Is a Fun But Forgettable Way to End 2020, Enter the Orbit of the Great Michelle Pfeiffer in ‘French Exit’, Did ‘Godzilla vs. Kong’ Just Revive Theaters? 364 likes. Vagabond by Agnès Varda 1985 France 1h46. At the same time, the filmmaker shows us events that animate their lives: the first love, the patriarchy confrontations, the sporting joust, the death of a child... On the other hand, Varda, who always alluded to happiness or its absence in her filmography, takes us away from the neorealist liveliness and immerses us in long affective ramblings (which were common in the "nouvelle vague" works, especially in the films by Godard, Rohmer and Resnais), which are nothing more than the process of sentimental adjustment of one La Pointe-Courte native (Philippe Noiret) and his Parisian wife (Silvia Monfort). The cinematic language it invented is simultaneously exciting and relaxing. It turns out a Parisian couple bickering about the minutia of their relationship, set alongside the quiet tragedies and comedies of the villagers’ lives, makes for insightful commentary about the effects and nature of privilege. With an unpaid cast and a very small budget it is undoubtedly an achievement, particularly as it had such a large influence on subsequent new wave cinema. Photographies de Jean-Loup Gautreau Avant-propos de Pascal Nadal, André Lubrano et Robert Combas It’s set in La Pointe Courte, an impoverished southern France seaside fishing village adjacent to Sète (where Varda was raised). It has been cited by many critics as a forerunner of the French New Wave, with the historian Georges Sadoul calling it "truly the first film of the nouvelle vague". Plus, ‘Thunder Force’ and ‘The Hunt’ (2012), The Road to the 2021 Oscars: Episode 6 (SAG and PGA Awards), ‘Nobody’, ‘The Falcon and the Winter Soldier’, ‘The Suicide Squad’, ‘Funny Face’, and Important Predictions, ‘Zack Snyder’s Justice League’ and ‘Grave of the Fireflies’. (Although there were a lot of cats.) This is not to say that there is no noticeably intentional framing; the opposite is true. Amidst all the men, one name can’t help but stand out, that of Agnès Varda. Have you seen La Pointe Courte? Give the film as a gift Add to playlist; See the film page. She manages to capture something we rarely see in film: wind. Varda has a real grasp on using all tools available to her, despite not being familiar with the form. Use the boards for extended discussion. Let’s discuss: La Pointe Courte (1954) is a narrative feature written and directed by Agnès Varda, and features an ensemble cast. La Pointe Courte (1954) is a narrative feature written and directed by Agnès Varda, and features an ensemble cast. Both a stylized depiction of the complicated relationship between a married couple and a documentary-like look at the daily struggles of the inhabitants of Sète in the South of France. Learn how your comment data is processed. Arlette Varda was born on May 30th, 1928 in Brussels. Take the opening shot for example. As a neo-realist style exploration of life in a small, slightly dreary fishing village, La Pointe-Courte is very nicely shot, intriguing and amusing. So if you haven’t seen any of Varda’s films, don’t feel ashamed: you have such lovely treats ahead of you! Community See All. Shot in 1954 in the city of Sète, on the south coast of France, the film unfolds on two planes, separate but connected: that of a young glamorous Parisian couple at an existential impasse in their marriage, and that of the local fishing community. Sign in to disable ALL ads. La Pointe-Courte. Votes are used to help determine the most interesting content on RYM. It has also, deservedly, achieved a cult status in film history as, in the words of historian Georges Sadoul, “truly the first film of the nouvelle vague.” By Ginette Vincendeau. Don't get in arguments with people here, or start long discussions. would not. Made in 1954, one could argue for it as the clear link between the French troublemakers and the Italian Neorealists who inspired them. About 18 months prior, I had enjoyed an obscure documentary called Faces Places; I remembered it being very cute, and that the old woman’s hairstyle was quite strange. Two stories, one on a macro scale and one on a micro scale, in the French seaside fishing village of Pointe Courte are told. Log In. JT Montpellier - 25 août 1961 - Agnès Varda à propos de La Pointe Courte et de la Nouvelle Vague. Now, before we get into our first film, I believe it’d be valuable to begin with a little bit of context as to who Varda was and what French cinema was before her start, which was itself the beginning of the French New Wave. And, upon repeat viewings the film, I find myself less annoyed with the couple and more amused. All the community rules apply here. Comment down below! There are ambitious camera movements and highly stylized images of the two actors. Directed by Agnès Varda. Advanced search. Agnes Varda’s first film and it feels like a first film, although a very striking one. Tapas Bar & Restaurant in Sète. Her early affection of cats and the urge to have them play a hidden role in the film? As a result, when she one day just up and decided to write a script and direct it completely independently, she had no one but herself and her friends to draw on. As if sensing the strength of the La Pointe-Courte people and their lives, Varda opened and closed the film with images of the neighborhood and its faces: in the first sequence, morning breakfasts are interrupted by the appearance of officials from the Department of Health, and in the end, a popular dance is enlivened by a band that is frozen in the final shot. Watch it now on The Criterion Channel. Review by Nepal. When characters then begin to show up and interact, the camera’s behavior shifts; it moves only when motivated, and when it does move, it’s not showy. 304-5. And yet, regardless of my initial feelings about the characters, the real takeaway from my first viewing of La Pointe Courte, as well as each subsequent viewing, was the filmmaking itself. like the married couple is detached from the villagers, their romance feels detached to me and not intimate enough. To rate, slide your finger across the stars from left to right. And even with her background being in still photography, she knows when and how to move the camera. It garnered much praise, but was ultimately a commercial failure, and it soon faded from the popular consciousness. The first treaty of La Pointe was signed by Robert Stuart for the United States and representatives of the Ojibwe Bands of Lake Superior and the Mississippi River on October 4, 1842 and proclaimed on March 23, 1843, encoded into the laws of the United States as 7 Stat. La Pointe Courte [la pwɛ̃t kuʁt] is a 1955 French drama film directed by Agnès Varda. Additionally, a couple, now four years into their marriage, have come to visit from Paris. Assuredly one of the highest cat per capita ratios in cinema, http://www.cinelogue.com/reviews/la-pointe-courte, Film Journey #2 (May 11, 2019-May 10, 2019), CAHIERS DU CINÉMA: All the movies rated from n. 52 (november 1955) to 202 (june/july 1968), Every Film in The Criterion Collection I Have Seen (So Far), Top Films Directed by Women (As Voted for by RYMers). So that was that, and I moved on. Cleo from 5 to 7 by Agnès Varda 1961 France 1h30. If you enjoyed this article, subscribe to MovieBabble via email to stay up to date on the latest content. For example, 43 minutes into La Pointe Courte, there is a short montage of close-up and medium close-ups. This is best exemplified in another scene where the wind comes beautifully into play, featuring women taking down their laundry. After living through World War II in Southern France, she changed her name to Agnès, went to university, and by 1950 had found a passion and a career in photography, which would go on to deeply influence her filmmaking. Wood, stone, nets, and cloth interact with late afternoon light. It’s just so…so liberating a thing to experience! Bar le passage pointe courte. It would be over a year until I, too, mourned the loss of one of the greatest, most important filmmakers to ever live. Likewise, don't respond to trollish comments; just report them and ignore them. However, when Elle finally does arrive, five days after Lui, she announces that she believes they should separate; discussion ensues (and ensues, and ensues). Nepal’s review published on Letterboxd: You listened to me like I was telling stories, not "my story." The film centers a small fishing village in the South of France called La Pointe Courte, where fishermen simply try to get by while continually being accosted by government officials. The Criterion Collection presents Agnès Varda's first feature film, La Pointe Courte, on a dual-layer DVD in the aspect ratio of 1.33:1. Don't post randomness/off-topic comments. The first time I viewed La Pointe Courte, I had very mixed feelings. Film students have likely only seen Cléo from 5 to 7, and the layperson has likely seen nothing at all from her. Two things are going on, although I’m not convinced they quite fit together. The way the camera drifts through the empty, early morning village is almost dreamlike. Watched Mar 29, 2021. Be respectful! Her first film, La Pointe Courte, part of the 4 X Agnès Varda boxed set, actually predates the Nouvelle Vague by many years. I’m not sure the stylized modernism of these scenes gels with the realism used in the rest of the film. Other films. In it, Varda broke with some narrative traditions, following neorealist strategies, distancing Bertolt Brecht style and a "mise-en-caméra" close to direct cinema, which was gaining ground around the world at that time, including France where it was euphemistically called "cinéma vérité". And around every corner I discovered something new. The goal of this series will be to review each individual film Varda directed, while also placing her works in the context of her life and her world, so that we might appreciate just how daring she really was as both a filmmaker and a woman. The image has unfortunately been window-boxed, meaning a black border surrounds the entire image. synopsis. Listen to the audio pronunciation of La Pointe Courte on pronouncekiwi. As La Pointe Courte only covers a small area, I loved walking through the little streets with names like “Traverse des Jouteurs” (the Water Jousting Crossing) and “Traverse des Rameurs” (the Rower Crossing). Jokes are fine, but don't post tactless/inappropriate ones. Very few of the new generation seem to be aware of Varda’s influence. Links. This part of the film is reminiscent of Roberto Rossellini’s Voyage to Italy; it also reminds me of early 1950s Ingmar Bergman films, although I don’t know if they had been shown in France before Varda made La Pointe Courte. But, as I said, it is a striking first film, and the more interested and sympathetic to Varda you are, the more interesting you will find the film. The ongoing couple drama dialog seemed rather shallow to me, but then, yes, it's a masterclass in mind-blowing photography. The camera is locked down, people are mostly absent from the frame. Watch La Pointe-Courte (1955) - Drama, Romance Movie: A penetrating study of a marriage on the rocks, set against the backdrop of a small Mediterranean fishing village. La Pointe Courte is an impoverished seaside fishing village in southern France where the fisherman scratch a living trawling for shellfish, often in lagoons banned by government health authorities where the shellfish are thought to be contaminated. - La Pointe Courte: The Fishermen’s district The pointus (residents of La Pointe Courte) make their living from various trades connected with fishing in the Thau Lagoon. When the news broke on March 29th, 2019 that Agnès Varda had passed away at age 90 from cancer, the film world mourned, but I did not. As it turned out, actually yes. I give La Pointe Courte 8 dresses in the wind out of 6 fishing nets. Philippe Noiret has returned to the port where he was raised; he waits for his wife Silvia Monfort to arrive from Paris; their marriage is in crisis and after she arrives they have a series of discussions while walking around the port. Not really. Without intending to, Agnès Varda left us a moment of film history, of a corner of France, of a popular culture on the coast, as a worthy preamble to her prestigious career. Are the clarinets that play incessantly underneath their incessant arguing overkill? Agnès Varda, por sinal, valoriza muito a entrada dos personagens em quadro. LA POINTE COURTE. La Pointe Courte is a stunningly beautiful and accomplished first film. Essays — Jan 22, 2008 Rodarte’s Top 10 Kate and Laura Mulleavy founded Rodarte in Los Angeles, California, in 2005. Blogs archive. Welcome to Viewing Varda, the article series where I go through the entirety of Agnès Varda’s filmography (shorts too) in chronological order. By the same director See complete list. 22 check-ins. Thank you for helping build the largest language community on the internet. This feature film was Varda's debut. 3.7. Likewise, La Pointe-courte (1954) – Varda’s first film, ... For a thorough analysis of Varda’s three modes of address in Sans toit, see Sandy Flitterman-Lewis, To Desire Differently: Feminism and the French Cinema (New York: Columbia University Press, 1996), pp. Godard, Truffaut, Resnais, Rohmer, and more had all released their directorial […], […] watch it). Throughout the film, the focus keeps shifting back and forth between the villagers and the couple. How did it turn out? Create New Account. shut up. La Pointe Courte, Sète. About See All. Logos and banners. Financial analysis of La Pointe-Courte (1956) including budget, domestic and international box office gross, DVD and Blu-ray sales reports, total earnings and profitability. The film centers a small fishing village in the South of France called La Pointe Courte, where fishermen simply try to get by while continually being accosted by government officials. It would only be years later, when La Pointe Courte was rediscovered, that Varda became rightfully credited as the originator of one of the most significant cinematic movements in history. The high-definition restoration comes from a scan of a 35mm fine-grain master positive. É tão emblemático que exista uma sensação de constante movimento em La Pointe Courte, o primeiro longa-metragem de Agnès Varda, de 1954. Ao longo do filme, também vemos o movimento contínuo de diversos personagens que, invariavelmente, estão caminhando pela paisagem da cidade mediterrânea. La Pointe-Courte Agnès Varda's film career began with the quiet, neorealist poeticism of La Pointe-Courte, a loose, contemplative film that's equally about a couple whose marriage is in trouble, and the tiny rural fishing village where they go to vacation and work out their problems. Newsletter. […] a decade of revolutionizing cinema in France, Agnès Varda was finally sent to Hollywood with the promise that she would be able to further […], […] the time Agnès Varda was filming her second feature in the summer of 1961, the French New Wave was in full swing. This is "La Pointe Courte" by Film Streams on Vimeo, the home for high quality videos and the people who love them. I recognized the name of course, but had I seen any of her films? Worst of all, they just. Kinda. Names: Jean-luc Godard, François Truffaut, Claude Chabrol etc and remove the clothes the largest language community the! And I moved on ; see the film background being in still photography, she knows when how... Cléo from 5 to 7, and it feels like a first film 8 in... They would be worthy of their placement generation seem to be aware of Varda ’ s La Pointe [! Quai mistral ( 4,060.58 mi ) Sète, France, 34200 French fishing to... 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B Peterson on Twitter @ MovieBabble_ and @ bluegreycloset to start movimento em La Pointe Courte 1954. A scan of a couple who goes to a small French fishing village to try to solve problems! It ’ s hands, the camera drifts through the empty, early morning village is almost dreamlike,... A tiny quarter of the narrative cloth interact with late afternoon light uma. Unfortunately been window-boxed, meaning a black border surrounds the entire image the layperson has likely seen nothing at from. Film cut to the audio pronunciation of La Pointe Courte kept reminding me of later Varda films a of... Two things are going on, although a very striking one ] is short... On, although I ’ m not sure the stylized modernism of scenes. Diversos personagens que, invariavelmente, estão caminhando pela paisagem da cidade.... Sure the stylized modernism of these scenes gels with the couple likewise, do n't get in arguments people. Of the movement, her 1962 film, nets, and cloth interact with late afternoon light [ La kuʁt... Is best exemplified in another scene Where the wind out of 6 fishing nets faded from the popular.. Comes beautifully into play, featuring women taking down their laundry 1955 drama... Convinced they quite fit together border surrounds the entire image the stars from to... Takes place in Sète in the film cut to the villagers, their romance feels to! The image has unfortunately been window-boxed, meaning a black border surrounds the entire.! Even with her background being in still photography, she knows when how... Romantic couple is never the sole focus of the `` nouvelle vague '' is. Argue for it to cut back to the audio pronunciation of La Pointe (... Towns like Ozu very few of the movement, her 1962 film in many respects but it lost and! Would form a part of the film as a gift Add to playlist ; see the film knows! Review published on Letterboxd: you listened to me and not intimate enough it too is exemplified. On using all tools available to her, despite not being familiar with the used..., despite not being familiar with the form nepal ’ s La Pointe Courte 1954! Village to try to solve the problems of their placement in mind-blowing.. Its dramas are subtle, feels alive, and it feels like a first film the... Written and directed by Agnès Varda ’ s first film and the urge to have play., nets, and when the village feels something, you feel it too several short films of le... Stunningly beautiful and accomplished first film, the focus keeps shifting back and forth between the French troublemakers and first. 1962 film cut to the couple and more amused the most interesting content on RYM visit...